Friday, September 23, 2011
blink-182; Neighborhoods
Having stood outside my local CD store waiting for the doors to open, it’d be an understatement to say that I was excited, and a little bit impatient, to finally hear this album. In all honesty I was as nervous as hell as to what this record would bring, but after multiple listens of this long-awaited record, I think it's safe to say I wholeheartedly approve of 'Neighborhoods'.
It is without a doubt blink-182's darkest album to date, both lyrically and musically. They've definitely matured and incorporated into their music what they've all experienced during the past 8 years. In many respects it's as if they've simply picked up where they left off with their last record, except this time there's no question that this level of maturity suits them. After all, during the time of their eponymous album they were still seen as that band who sang that “cute ‘Na Na Na’ song” and who ran naked through their music videos. This time however, after almost a decade, life has naturally forced them to mature; they've grown up and progressed.
While 'Neighborhoods' stands as this dark and mature album, there are definitely throwbacks to their previous records, as well as hints of their side projects away from blink-182, which are definitely evident throughout the album.
The opening track, 'Ghost On The Dance Floor', is quite indicative of the album as a whole in terms of the overall theme and sound of the record. It’d be fair to say that it’s almost a sequel to ‘Not Now’. There are numerous references to death, hopelessness and self-doubt all the way through the record, but the second track, 'Natives', is perhaps the song in which these themes are most prevalent. Lyrics such as ‘I’m just a waste of your time/ Maybe I’m better off dead’ accentuate the darkness present on the album and paint a pretty good picture for what to expect. The third track, and first single off the record, ‘Up All Night’, is a reflection on the harsh reality of human behaviour and the struggles we all face through the eyes of a perceptive observer. As a single it had people confused, however in amongst the other tracks on the record it works well in context. The fourth track on the album, ‘After Midnight’, is a love song of sorts, an ode to a masochistic and destructive relationship, best captured through the verses, with lines like ‘I kind of like the rush you get/ When you’re standing close to death/ Like when you’re driving me crazy’. ‘Snake Charmer’ follows next with a song that is essentially about women and the evil lust and desire they use to coax men into getting what they want. It has a mixture of heavy guitars and an intro that is quite reminiscent of The Cure. ‘Interlude’ then provides a short instrumental break built upon a piano and a spacey guitar riff, a brief departure from the heaviness of the record before leading itself into the seventh track. ‘Hearts All Gone’ is one of the more fast paced punk rock tracks on the record that could easily be mistaken as a song that got lost during the recording of ‘Dude Ranch’ and that has now been re-recorded to become relevant for this particular record. However, amongst all the darkness some light can be found in the form of the eighth track, ‘Wishing Well’, with it’s catchy 'la da da' chorus. In true-to-form blink-182 fashion, this song has a more upbeat pop feel which is quite reminiscent of ‘Enema Of The State’. The ninth track, ‘Kaleidoscope’, is very much a song about the recording of the album. It is a return to the darkness of the earlier tracks, with lyrics full of fear and uncertainty as to what this journey holds; ‘It is the first time that I’m worried/ … It’s a long road to get it right’. Almost acting as a counterbalance to the paranoia of the previous song, ‘This Is Home’ is a pure rock song about the punk rock scene and how they, blink-182, want each other to ‘let go/ ‘Cause this is home’. ‘MH 4.18.2011’, another straightforward rock effort, has Mark singing of repression and the struggle of trying to grow in such an environment. His advice; ‘Slow down/ Stop living in the shadow of a helicopter’. Set to be the final track on the standard version, ‘Love Is Dangerous’ is a track that for me is their greatest departure from their previous material. It has a somewhat theatrical quality to it, with Tom’s declarations of ‘love/ Love is dangerous’ in the chorus. Track thirteen on the deluxe edition, ‘Fighting The Gravity’, is without a doubt a fitting song title as the music itself has this heavy and sluggish feeling about it, as if you’re actually being held back and pulled down. The lyrics provide the description and the music makes you a part of it. The final track on the album, ‘Even If She Falls’, sees one last return a catchy and upbeat melody, much like the feel good song at the end of a film that leaves you feeling satisfied.
‘Neighborhoods’ is a testimony to blink-182’s longevity, regardless of their split, and their ability to remain relevant. It is a brave, bold and beautiful record that sees the band harmoniously bringing together their array of ideas and influences to create an album that is without a doubt some of the best music they’ve produced.
Tuesday, September 20, 2011
Long time, no write..
Tuesday, June 21, 2011
Monday, April 4, 2011
Like It's My Birthday!
I'm going to see Good Charlotte!
Friday, March 25, 2011
Sum 41; Screaming Bloody Murder
I bought my copy of Sum 41's Screaming Bloody Murder today and, fuck me dead, it's brilliant!
They were so right when they said it was going to have the same vibe as ‘We’re All To Blame’ in relation to song structure and I love that! It’s up-beat, it’s heavy, it’s mature, it's dark, it's honest. It's one of those albums where you’re taken on a journey from beginning to end and couldn't possibly skip a song, much like the way I felt, and still feel, when I first heard Underclass Hero.
There is an evident theme of loss and pain on the record expressed through a range of different emotions. Deryck, as the main song writer for the band, has had to face and overcome many different trials in his life as of late, and I believe that is reflected through the songs that he has produced, whether intentionally or not. Songs such as 'Crash' and 'Exit Song' show the softer, more heartbreaking side of pain and, when you listen to these songs, it's difficult not to sense the emotion in Deryck's lyrics and vocals. Whereas 'Skumf*k' and 'Blood In My Eyes' show the more aggressive side to the same kind of loss. Not only is the album, in my opinion, about pain, but also about acceptance and a new beginning; picking yourself up after heartache and overcoming the hurt in order to find yourself once again. That's something that a lot of people can relate to and a message that everyone can take away from the record. It is through the three part A Dark Road Out Of Hell, comprised of 'Holy Image Of Lies', 'Sick Of Everyone' and 'Happiness Machine', respectively, that a story is told; a story of giving yourself over to another person, exposing yourself and your vulnerability, only to be hurt in the process and left scarred in the end. It shows a desire to want to move forward but not knowing the exact way to go about doing so. The opening song, 'Reason To Believe', essentially sums up the entire album, both through the lyrical content and the sound, and gives you a taste of what to expect from the rest of the record. The magical thing about music though is that, like most forms of art, it is open for personal interpretation; what one person might take away from this album could be something completely different to someone else.
With each new record that Sum 41 release, it is always so different from its preceder, yet they still maintain that ‘Sum 41 sound’. I love that kind of diversity within a band. Change is a good thing. It’s a sign of growth, as a band and as individuals. Screaming Bloody Murder is just another example of Sum 41's ability to reinvent themselves once again. It's a fusion of punk rock and metal, with many softer moments thrown into the mix, topped off with the always present energy of Sum 41. In the most simplest of terms, to quote a line I found online, "If Chuck and Underclass Hero met, and fucked, Screaming Bloody Murder would be the result." It's a record that I can highly recommend with utmost confidence.
To listen to the online streaming of Screaming Bloody Murder, check it out at Sum41.com.
Screaming Blood Murder Track List
1. Reason To Believe
2. Screaming Bloody Murder
3. Skumf*k
4. Time For You To Go
5. Jessica Kill
6. What Am I To Say
A Dark Road Out Of Hell
7. Holy Image Of Lies
8. Sick Of Everyone
9. Happiness Machine
10. Crash
11. Blood In My Eyes
12. Baby You Don't Wanna Know
13. Back Where I Belong
14. Exit Song
Wednesday, March 16, 2011
Saturday, March 5, 2011
My Sydney Soundwave Trip!
For now the only one I'm posting is to do with the day I arrived because I haven't exactly finished the others. But I thought I'd at least get something posted.
Saturday 26th February, Sydney Airport
This is a time and place to be remembered, people. Want to know why? Well, I MET JARED LETO AND DERYCK WHIBLEY! That’s right, you read correctly; airport stalking once again paid off cos I met JARED LETO AND DERYCK WHIBLEY!
OMG! It was AWESOME! Cindy and I had been waiting at the airport for a few hours after my plane from Melbourne had landed. We were determined to meet 30 Seconds To Mars! It was our mission and NOTHING would get in our way! Every time we saw a flight from Brisbane was arriving we’d go over to where a mass of people would be congregated around the carousel. The first time we did this, we were just casually waiting behind this huge group of tattooed and pierced men wearing black, when some guy came over to where we were standing and left his bags. He said to us, “hey, can you watch my bags?”, to which we said, “sure!” He came back over with some more bags and we all just struck up conversation. He was telling us how nice Australians were and how we’re so friendly, because despite the fact he didn’t know us and we didn’t know him, had he asked someone in America to watch his bags, the authorities probably would have been called, yet we simply said sure. He was so friendly and we would have been talking to him for about 10 minutes. Trying to suss out who this guy was, Cindy said that there seemed to be a lot of bands around. He then asked us if we knew what Soundwave was and that he was playing at Soundwave. We asked him what band he played in and turns out he was Travis Clark from We The Kings! Haha, it’s funny, cos I know their music, yet I have no idea who the band members are! I wish I knew who he was before I started talking to him. He then asked us if we knew where any good party places were in the city, and Cindy had no idea, nor did I seeing as how I’m not even from Sydney. We said it depended on where he was staying and he was so determined to let us know where he was going to be. He must have told us three times what hotel he was at! I only wish my memory wasn’t so bad and that I could have remembered what he said!!
Flight after flight we kept a look out for Mars but weren’t having any luck. On the arrivals board there was only one flight still to come in, so we figured we’d wait for it. For the entire evening, security had been looking at us and had to have known we were there to try and see someone. Every now and then we’d see someone walk passed with a clipboard and some kind of ID card, and we realised they had to have been with Soundwave cos they always appeared as a flight was about to come in. This one guy saw Cindy and I sitting down and came over and asked us if we were with Soundwave. We told him “no” and he kept walking. Then he came by again and we asked him if he was with Soundwave. He said he was. So we asked him if he had any idea who was coming in on the next flight. He said he couldn’t tell us, but he did ask who we were waiting for. Cindy showed him her tattoo and he’s just like, “I have no idea what that means!” So we told him we were waiting for Mars and we asked if he could just let us know about them. He was adamant that he wouldn’t tell us, so I asked if I could just have a quick look at his board. He was like, “no, sorry. I really can’t do that. I’ll get fired! But what I can do is tell you that they’re not going to be coming in until tomorrow morning.” Once he left Cindy and I were like, “nah, he’s lying just so we’d leave.” So we stayed. And thank fucking God we did! We continued sitting there when, behind us, Jared Leto appeared on the escalators!!! Cindy turned to me and was like, “Jys, it’s Jared. That’s Jared Leto. Oh my God, it’s Jared.” Earlier on Cindy told me to make sure she didn’t freak out in front of him, so I was just like “calm, stay calm!” She turned to me and was like, “I’m going in!” and got up and went over to him before he passed us. I was like, “Oh FUCK! It’s really him.. what do I do?!” So I went over to Cindy and Jared who, at this point, were in the middle of literally a 10 second hug, lol. As I approached Jared, he was still hugging Cindy but, he looked and saw me coming over too and was like, “oh my.” It was a good ‘oh my’, lol. It was an ‘oh, hello. Another person to see me,’ lol, the attention seeking whore. Then I gave him a hug too and asked if I could get a photo. He was like “sure, first could you just mind my bags. Don’t steal any of my fucking shit” and then he went to the toilets that were behind us. Then he came back and we got photos with him. We were like, “thank you so much” and he’s like, “oh, no thank you.” Oh, he’s just so amazingly gorgeous! He was so sweet and softly spoken, not to mention extremely patient with us. He spent about 10-15 minutes with us. I mean, JARED LETO HAD HIS ARM AROUND MY BACK, HIS HAND ON MY WASIT! Cindy then gave him this heart cushion and he was like, “oh, you’re so sweet.” By this time everyone else from the flight had pretty much walked by and he’s like, “okay, I should probably go now” and we’re like, “yeah, of course. Thank you so much again!” and he’s like, “oh, thank you,” then he started to walk away. BUT, before he left completely, he turned around and said, “see you” and did that salute wave thing. OH, SO CUTE! Honestly, it was fantastic! However, one image that I will never be able to get out of my mind is his entrance when we were still sitting down. As we looked over to him and saw him descending the escalators, it was so surreal! He was standing there, perfect posture, practically gliding down the escalators, pretty much like God, as time stood still. It was just, yeah.. HNNNG!
Once he’d left to get his bags I was shaking! My legs were about to give way! So we both went back to where we had been sitting before! The first thing I did was put on Facebook that I’d met Jared Leto, and then I called Emma. While I was spazzing on the phone to Emma, which she can vouch for 100 per cent, I looked back to the escalators and was like, “OMG OMG OMG OMG OMG OMG. Emma, I.. just hang on.. Nup, OMG! Okay, I’ll get back to you,” then I hung up. While Cindy was like, “what is going on here?!”, I got up and walked over to DERYCK WHIBLEY! When I first saw him, during my spaz, I was thinking to myself, “no, this can’t be who I think it is.. it just can’t be. HOLY SHIT, IT IS!” haha. I went up to him and was like, “hey Deryck, I’m Jys. Could I please get a photo?” He was like, “of course”, and then we had our photo taken! asdfghjkl! I was still in shock from having met Jared, so to then meet Deryck was just unbelievable! Cindy then was like, “oh, can I get a photo too?” So she got hers taken. Then Deryck went to get his bags. We again walked back to our seats and Cindy was like, “so, who was that?” haha. She figured if I was making such a fuss, then she must want a photo too. I was like “dude! That was Deryck! Lead singer from Sum 41!” ASDFGHJKL!!! Then I called Emma back and explained what happened, lol. However, while I was on the phone to Emma, some big security-looking guy came over to us. I was on the phone, so he spoke to Cindy. What he said was, “I’m Deryck’s people. Are you staying in Sydney? (Yes). Are you doing anything tonight? (No). Could I have you’re number and we’ll call you to let you know where the party’s at.” Okay, so they didn’t end up calling, BUT DUDE! DERYCK WHIBLEY’S ‘PEOPLE’ GOT OUR NUMBER! Hahaha. Oh man, if only I could have partied with Sum 41!!! Then while still on the phone, (btw, this phone call when for quite some time), I look out the glass window we were sitting next to and see Cone McCaslin walk by!! That started a whole new round of spazzing, lol. I was half thinking about getting up and going outside to chase him, but I figured that would have really creeped him out, lol. I may not have got a photo, but I did get to see Cone for real!! So I guess that will have to suffice.
Finally we got up and, as we did so, we saw this guy that had also been waiting at the airport for people he wanted to meet. Earlier in the evening he’d also asked us if we were with Soundwave, to which he again said no. We told him we were hoping to see Jared Leto. This guy though was like, “oh, no. I hear he’s not a very nice person. The other two, sure; they’re fine. But Jared.. he has no time for people. He’s all about himself. Very rude man.” Well, Cindy almost lost her shit! Then he came back to us later on and said how a friend of his was a huge 30 Seconds To Mars fan and that they’d said that Jared would be staying at the Vibe Hotel. That bit of information made it a fraction easier for Cindy to not kill him, but it still took a lot of willpower! So, after we met Jared, this guy was still at the airport. So Cindy went over to him to tell him that he could now, “tell everyone that he’s ‘heard’ Jared is a very sweet and considerate person.” The walk over though.. haha. Cindy had this walk, a strut/march, that looked like shit was about to go down, lol. Once we’d sorted this guy out, we decided it was time to go home. We were told that there was another flight coming in that had been delayed that Shannon and Tomo were on but, by this stage it was after 10:30pm, so we caught the train home. After calling Emma I then proceeded to give Bee a call and fangirl to her as well, lol. I pretty much wanted to tell anyone who would bother to listen to me.
Cindy and I were insane for the duration on the train ride and pretty much well into the morning! And when I say ‘well into the morning’, I mean until 7:30am when we finally decided we should get some sleep before having to get up for Soundwave.
Tuesday, February 22, 2011
Jyssica's Baking Creations
Monday, February 21, 2011
Bands, Birthdays, Baking and Beyond!
Sunday, February 20, 2011
The sky had come crashing down like the news of an intimate suicide. We picked up the shards and formed them into shapes of stars that wore like an antique wedding dress. The echoes of the past broke the hearts of the unborn as the ferris wheel silently slowed to a stop. A few insects skittered away in hopes of a better pastime. I kissed you at the apex of the maelstrom and asked if you would accompany me in a quick fall, but you made me realize that my ticket wasn’t good for two. I rode alone.
You said, “The cinders are falling like snow.” There is poetry in despair, and we sang with unrivaled beauty, bitter elegies of savagery and eloquence. Of blue and grey. Strange, we ran down desperate streets and carved our names in the flesh of the city. The sun has stagnated somewhere beyond the rim of the horizon and darkness is a mystery of curves and lines. Still, we lay under the emptiness and drifted slowly outward, and somewhere in the wilderness we found salvation scratched into the earth like a message.”
- Spoken Word, AFI, Sing The Sorrow
Gibson Casian, Davey Havok, Hans Wold
Monday, February 14, 2011
The 53rd Annual Grammy Awards, 2011
[Which will be posted as soon as they become available because I cbf looking for them right now :)]
Sunday, February 13, 2011
Thursday, February 10, 2011
Muse in the Mail!
Friday, January 28, 2011
Shockwaves NME Awards
- Best British Band
Arctic Monkeys
Biffy Clyro
Foals
Kasabian
Muse - Best International Band
Arcade Fire
Kings Of Leon
My Chemical Romance
The Drums
Vampire Weekend - Best Solo Artist
Florence + The Machine
Frank Turner
Kanye West
Laura Marling
Paul Weller - Best New Band
Beady Eye
Everything Everything
Hurts
The Drums
Two Door Cinema Club - Best Live Band
Arcade Fire
Biffy Clyro
Foals
Kasabian
Muse - Best Album
Crystal Castles - 'Crystal Castles (II)'
Foals - 'Total Life Forever'
My Chemical Romance - 'Danger Days: The True Lives Of The Fabulous Killjoys'
Arcade Fire - 'The Suburbs'
Two Door Cinema Club - 'Tourist History' - Best Track
Cee Lo Green - 'Fuck You'
Foals - 'Spanish Sahara'
Gorillaz - 'Stylo'
Janelle Monae (feat Big Boi) - 'Tightrope'
Mark Ronson & The Business Intl. - 'Bang Bang Bang' - Best Video
Arcade Fire - 'We Used To Wait'
Brandon Flowers - 'Crossfire'
Chase & Status - 'Let You Go'
Gorillaz - 'Stylo'
My Chemical Romance - 'Na Na Na (Na Na Na Na Na Na Na Na Na) - Best Festival
Download
Glastonbury
Reading & Leeds Festivals
T in the Park
V Festival - Best Dancefloor Filler
Crystal Castles - 'Baptism'
Kele - 'Tenderoni'
Plan B - 'Stay Too Long'
Professor Green - 'Jungle'
Tinie Tempah - 'Pass Out' - Best TV Show
Misfits
Never Mind The Buzzcocks
Peep Show
Skins
The Inbetweeners - Best Film
Get Him To The Greek
Inception
Kick-Ass
Scott Pilgrim Vs The World
The Social Network - Hero Of The Year
Gerard Way
Julian Assange
Lady Gaga
Matt Bellamy
Kanye West - Villain Of The Year
Axl Rose
David Cameron
Justin Bieber
Nick Clegg
Simon Cowell - Most Stylish
Brandon Flowers
Hayley Williams
Lady Gaga
Liam Gallagher
Noel Fielding - Least Stylish
Cheryl Cole
Justin Bieber
Ke$ha
Lady Gaga
Liam Gallagher - Worst Album
Cheryl Cole - 'Messy Little Raindrops'
Justin Bieber - 'My World'
Katy Perry - 'Teenage Dream'
Kings Of Leon - 'Come Around Sundown'
My Chemical Romance - 'Danger Days: The True Lives Of The Fabulous Killjoys' - Worst Band
30 Seconds To Mars
JLS
The Jonas Brothers
Kings Of Leon
Tokio Hotel - Hottest Man
Alex Turner
Billie Joe Armstrong
Dominic Howard
Jared Leto
Matt Bellamy - Hottest Woman
Alison Mosshart
Emily Haines
Hayley Williams
Lady Gaga
Shakira - Best Album Artwork
Foals - 'Total Life Forever'
Gorillaz - 'Plastic Beach'
Klaxons - 'Surfing The Void'
MGMT - 'Congratulations'
My Chemical Romance - 'Danger Days: The True Lives Of The Fabulous Killjoys' - Best Band Blog or Twitter
Frank Turner
Hayley Williams
Kanye West
Lily Allen
Theo Hutchcraft - Best Book
Carl Barat - 'Threepenny Memoir'
Jay-Z - 'Decoded'
John Lydon - 'Mr Rotten's Scrapbook'
Keith Richards - 'Life'
Russell Brand - 'My Booky Wook 2' - Best Small Festival (50,000 capacity or lower)
Bestival
Kendal Calling
Latitude
RockNess
Underage Festival
Thursday, January 27, 2011
For The Record..
Wednesday, January 19, 2011
Music Painting
Tuesday, January 18, 2011
I don't know how much more random this can get, but I was walking through K-Mart today with mum and for some reason I found myself thinking "what exactly is it that has made me who am I and, if it were possible to go back in time and change certain things, would I still end up being 'me'?" The fact that this whole train of thought began whilst walking through the aisles of K-Mart is surprisingly not the most random part. The random part, and somewhat confusing and difficult part to explain, is that I don't mean 'me' in regards to my values and interests and personality; I mean 'me' as in 'Jyssica-the-human-being'.. Confused yet?
The only way I can think to describe it is through hypothetical situations. Obviously if you were to take either one of my parents out of the equation at my time of conception I would be a different person entirely. However, if time travel were to someday be invented, would replacing one of my parents with someone else be the only factor in changing 'me'? Don't get me wrong, my point here is not that I wish to change who my parents are! My point is what were the contributing factors in my creation? For one moment just ignore that fact that we are all products of our parents and all that DNA and ancestry stuff.
For example; say that rather than being born on my birthday I was born 2 weeks before or 2 weeks after. Would that have had any effect on my being? Perhaps being born even just a few minutes or seconds before or after my actual time of birth, would that have an impact on 'me' now? Or maybe it has nothing to do with the length of my mum's pregnancy. I am my parents first born child, but what if my parents conceived their first child at a different time and that child wasn't born on my birthday? Would that child still have been me? I have two younger brothers; one is 2.5 years younger than me, the other is 5 years younger. Like I said, I am my parents first born child. But what if my parents started having children later and my mum gave birth to her first child when my first younger brother was born, essentially making my mum’s second child her first? Would that have had an effect on things? Would 'that' first born child still have been me? Or would it have been my brother, and life would carry on as we know it to be now in this present time, with the only exception being it would have been like I never existed? Or perhaps 'that' first born would have been neither me nor my brother but instead someone else entirely.
And if that thought alone wasn't weird enough, it got me thinking "what if that really is all it took for me to not exist? What if a few minutes difference in my time of birth is the only thing that separates me from being here on earth or potentially a completely different person being here on earth?" Just to make this whole entire scenario climb up the crazy scale another notch, I began to feel bad for that 'potential human being'. I started to feel as if I had stolen 'their' life away from them. Why should I get to live when someone else could be here on earth right now who would appreciate life more than what I do? Then, just to send this train of thought off into the category of 'in need of therapy', I suddenly felt somewhat angry. Towards whom I was angry at, I have no idea. It was to no one in particular. I was angry at whatever it was that is responsible for me being who I am. Perhaps I'm angry at fate, or perhaps 'God'? It doesn't really matter what it was that I was angry at because it was/is just some crazy and irrational sense of anger that came over me. Nevertheless, regardless of how crazy and irrational it is, all that matters is the fact that I felt angry because I am here. How is it fair that I get to live when, perhaps if things had happened differently, someone else could be in my place right now? How is it fair that I get to live when I'd willingly exchange my life for having never existed? It's just crazy and completely insane! Fact; I sometimes wish I never came into existance.
If you actually made it through to this point here, then I think a congratulations is in order. Furthermore, if you reached the end and actually understood what the hell I was on about, then you deserve a standing ovation!
Now I'm just going to leave this here before I give anyone anymore reason to have me committed.
Monday, January 17, 2011
University Offers
Wednesday, January 12, 2011
A Month Ago Today...
Dom and myself ♥
Chris and myself ♥
And minimal time unfortunately meant I was unable to get a photo taken with Matt. .
. . but now I have a goal for next time! ;)
Tuesday, January 11, 2011
Sydney Soundwave 2011, here I come!
Incase you haven't noticed yet, I'm going so that I can see 30 Seconds To Mars and Jared Leto live in all their glory! I'm very much looking forward to it! I'm also wanting to see Sum 41! They're the two bands I cannot miss out on! Avenged Sevenfold was also in that mix, until they pulled out. However there are still some other amazing bands I'd like to see should the timetable allow for it, those bands being; New Found Glory, Bullet For My Valentine, Pennywise, Coheed and Cambria, Less Than Jake, MxPx, Mayday Parade, Breathe Carolina and, perhaps just because I'm curious, The Blackout, Primus and Iron Maiden. I do know that I won't be able to see all of them, but as many as possible would be great!
It should be an amazing trip! While in NSW I shall also be meeting up with some of my interstate musers, (ie, Evelyn!), so that should also be awesome! This will be the first time I've travelled by myself, completely solo and, I plan on being in Sydney for about 8 days, so it'll be a nice little holiday filled with insane music, amazing people and away from reality. I cannot wait!
Monday, January 10, 2011
I feel like I just have to get this off my chest before it drives me insane, this weird sense of confusion or whatever. It’s been nagging at me for so long now. For longer than I care to remember. I just don’t know if I can properly explain it when I can hardly understand it myself. I’m just your average person, you know; nothing spectacular, nothing out of the ordinary. I go through the same old shit as the next person. And it’s like, when I’m happy and in a good place, I try hold onto that as much as I can because when I get down, it’s really not good. Not to mention I have no idea how long either mood will last for. And it’s annoying because the switch between the two emotional places can happen so quickly that I’m not even aware of the change. It’s quite unnerving. I just wish sometimes that I could make it go away. Take something to make it go away. Do something to make it go away. But, I can’t. Because that would mean actually focusing on whatever it is and facing it. It’s so much easier to pretend that something doesn’t exist when you keep it to yourself. When you hold onto something private you can convince yourself it’s just a nightmare and that it will go away. But once you let other people in, it becomes real. So instead I lie to everyone. I lie to my friends and I lie to my family; I lie to myself. I make myself believe that it’s nothing but all in my head. I don’t lie because I want to keep a truth hidden. I lie because I don’t want it to be real. And it’s not even a deliberate lie because on the surface I have truly convinced myself it’s nothing. It amazes me how I’m so able to deceive myself. It’s only when I stop to really think about these things and analyse it that I realise what I’m really doing; putting up this facade and telling myself that it’s nothing more than some nightmare I’ll wake up from.
Ugh, and that’s pretty much all I can get out of my system right now… a whole bunch of nonsensical bullshit.
Sunday, January 9, 2011
I'm being followed by my shadow, he's been creeping around
Asking where I've been
He keeps tapping on my shoulder, telling me it's over
So where do I begin?
These dark days are getting harder, I feel I'm treading water
So will I sink or swim?
Roll on, push a little further, I keep saying is this worth it
Or should I just give in?
I don't know
I don't know which way I'm supposed to spin
In this circle
And I won't waste my time on your concern
'Til it's over
I look back on a distant border, I fear I'm getting older
There's so much that I missed
Walk on following a faint line, see if I can define
Where I came undone
I don't know which way I'm supposed to spin
In this circle
And I won't waste my time on your concern
'Til it's over
And I will wait my turn, my time will come
This ain't over
And I can't wait no more, no sweet return
This is over
So it is
So sweet return
This is over
Saturday, January 8, 2011
Interpol live at The Palace Theatre, Melbourne
Knowing of Interpol but having only previously heard some of their music, it's safe to say I was feeling a little bit out of my comfort zone. However, accompanying Ash to see her second favourite band was awesome. I had an amazing time! It didn't matter that I didn't know all the lyrics to the songs, it just had a really good vibe. The support act, Bridezilla, surprisingly captivated me. I think I might have to go and search out some of their music. But the main act, Interpol, were amazing. They're a really good live band! They have energy and charisma and are very appreciative of their fans; everything you want from a live performance!
The setlist for the night:
EDIT: Photos still to come